Kyung-Sook Nam is a painter and proprietor of an art atelier nestled on the captivating island of Gadeokdo, a place where the union of sea and mountains manifests in exquisite outbursts of rugged natural harmony.

As the largest of Busan’s islands, Gadeokdo is a locale in perpetual transformation, swept by the winds of change. At the same time, Kyung-Sook cradles a simple longing: to dip her toes into pristine waters, savor the briny essence of seaweed-scented air, and above all, safeguard the unspoiled wonders of her humble island abode.

Gadeokdo’s historical tapestry is marked by epochs of prehistoric settlements and the weight of Japanese occupation. Yet, in the twilight hours, Kyung-Sook often stumbles upon clusters of primroses, like the spirits of her forebears, resolutely blooming amidst the darkness. With meticulous knife strokes and the repetition of her brush, she seamlessly blends floral majesty into her dreamlike seascape, offering a poignant tribute to the memories of yore and enshrining the enduring spirit of Gadeokdo.

Once a tranquil haven for the locals, the island’s shoreline has witnessed an influx of visitors in recent times due to the construction of a new airport, with many now camping along its periphery to partake in the resplendent hues of Cheonseong Port and a Gadeokdo dawn.

Off the map, Kyung-Sook enjoys absorbing the gentle radiance emanating from distant dwellings, momentarily surrendering herself to the celestial canvas above. Through the deft application of overlay modeling paste and a liberal smattering of shimmering dust, she conveys a profound sense of solace, bidding adieu to those particularly hectic and tumultuous days.

Kyung-Sook’s artistic vision captures the undulating waves and subtle dynamism of planes and cargo vessels as they traverse the skies and seas. While the mainland whirls in a frenetic cadence, the people of Gadeokdo move around with eyes wide open. For now, mural villages nestle against soaring peaks, Mother Earth’s emotions intermingle, and the human and animal inhabitants coexist harmoniously, bound by reciprocity and an ethos of sustainability that will surely stand the test of time.

Waves (2019). Oil on Canvas.

Life on Gadeokdo (2021). Oil on Canvas. 90.9 x 72.7cm.

Sunset (2022). Acrylic on Canvas. 46 x 55cm.

Evening Primroses (2021). Oil on Canvas. 54 x 65cm.

Starry Night (2021). Oil on Canvas.

Gadeokdo Island (2022). Oil on Canvas. 60 x 73cm.

Discover more of Kyung-Sook’s works in Issue 2 of our magazine!